Today we check out the epic'ness that is go pro cineformTwitter: twitter.com/cpumodderSteam: steamcommunity.com/groups/CPUMInstagram: instag. I would be surprised if GoPro would have used embedded LUTs. They used Cineform not as capture but as intermediate format with GoPro Studio, as far as I can remember. I cannot see a good reason for LUTs in Cineform with GoPro Studio, because it limits the usability of that kind of intermediates to a handful of applications, if any. Back in 2014, the Society of Motion Picture and Television Engineers, standardized GoPro's CineForm codec, dubbing it ST 2073 VC-5, the new open standard for video acquisition and post production. If that wasn't enough GoPro has publicly stated it's intent to support Cineform, making it better as the years go.

Using the Project Manager

The Project Manager provides several options that automate the process of consolidating your project. This means gathering together (collecting) all the media files you’ve used in one or more sequences.

Open the Project Manager now by choosing File > Project Manager.

Managing your project in this way is useful if you intend to archive your project or if you want to share your work. By using the Project Manager to gather all your media files, you can be confident nothing will be missing—or offline—when you hand the project over to colleagues or move it into storage for archiving.

The result of using the Project Manager is a new, separate project file and new copies of the associated media files. Because the new project file is independent of your current project, you should double-check it before deleting your original media or project file. It’s ideal to check the new project on a different editing system, just to be certain you have all the files you need. Make sure all the clips you expect are in the Project panel and all media is online.

To configure the Project Manager, select the sequences you want to include in the new project in the Sequence section.

Next, choose one of the options in the Resulting Project section:

Collect Files And Copy To New Location: Duplicate the media files used in your selected sequences, and save them in a location you choose, as described in “Collecting files and copying them to a new location.”
Consolidate And Transcode: Create new versions of the media files based on just the parts of clips included in those sequences (the trimmed clips). When this option is selected, several menus become available. These menus, described in “Consolidating and transcoding,” allow you to choose from a range of formats and codecs.

Depending on your selection, further options may become available:

Exclude Unused Clips: With this option selected, the new project will include only clips that are used in the sequences you selected.
Include Handles: If you’re creating a trimmed project using the Consolidate And Transcode option, this includes additional frames. The extra frames give you the flexibility to trim and adjust the timing of your edits later—a great idea that is usually worth the extra storage required.
Include Audio Conform Files: This includes the audio conform files that are already with your project, so Premiere Pro won’t need to conduct analysis of your audio again. Premiere Pro will re-create these files automatically as required, but choosing this option can save time waiting for the processing to complete. This is particularly noticeable on longer projects.
Convert Image Sequences To Clips: If you have imported one or more image sequences as clips, this option converts them to regular video files. This is a useful option because it simplifies file management. It might also improve playback performance.
Include Preview Files: If you’ve already rendered your effects, you can include the preview files with your new project so you won’t need to render them again. Like the audio conform files, these aren’t necessary but can save you a considerable amount of time waiting for complex effects to render.
Rename Media Files To Match Clip Names: As the name implies, this option renames the new copies of your media files to match the names of the clips in your project (useful if you have renamed clips to make them easier to find). Consider carefully if you want to use this option, because it can make identifying the original source media difficult.
Convert After Effects Compositions To Clips: Choose this option to replace dynamically linked After Effects compositions with rendered video files. This option can be helpful because the Project Manager is unable to collect dynamically linked After Effects compositions or the media files associated with them. This is a good reason to stay extra organized when working with After Effects and Premiere Pro together. See “Collecting files and copying them to a new location” for more information on collecting files.
Preserve Alpha: If you are transcoding your footage, you can choose to include alpha channel information so transparent areas will stay transparent. This will lead to larger media files but means retaining valuable picture information. Be sure to select this option if you have chosen to convert After Effects compositions to clips. If your sequence includes dynamically linked After Effects compositions with transparency, the alpha channel information will be used.

In the Destination Path section of the dialog box, choose a location for your new project and media files.

Finally, click Calculate in the Disk Space section to see an estimate of the total storage space needed for your new project, including the copies of the media files.

Provided the estimated project size will fit in the available disk space, you can click OK to create your new consolidated project.

Collecting files and copying them to a new location

Perhaps your media files are in several locations in your storage system. Or perhaps you’re sharing your work with another editor. Perhaps you’re taking an edit on the road. You may not need every clip incorporated into your newly created project.

Selecting Collect Files And Copy To New Location creates perfect copies of your original, complete media files in a new single location. If you select the Exclude Unused Clips option, only clips used in the selected sequences will be included.

There’s no need for you to go right through the process with this Lesson 17 Working project, but let’s take a look at the options you’d select to collect all the files used in your selected sequences to a new, single location.

If it’s not already open, choose File > Project Manager.
Select the sequences you want to be included in your new project.
Select Collect Files And Copy To New Location.
Select Exclude Unused Clips.
If you want to include every clip in your project, regardless of whether they are used in a sequence, deselect this option. Deselect this option if you are creating a new project to organize your media files a little better—perhaps because you imported them from lots of different locations.
When the new consolidated project is created, every media file used in the selected sequence(s) will be copied to the new project location.
Decide if you want to include Audio Conform Files to save Premiere Pro from having to analyze the audio files again for the new project.
Decide whether you want to include existing preview files to save you from having to re-render effects in the new project.
Decide whether you want to rename your media files to match their clip names. Generally, it’s better to leave your media files with their original names. However, if you’re producing a project to share with another editor, it might be helpful for them to identify the media files if they are renamed. If you are sure you will never need to reference your original source media again, renaming your clips is a great idea.
Click Browse, and choose a location for your new project file and associated media.
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Gopro Cineform Codec